![]() ![]() This self-absorbed model, however, does not fit into the changing society of the workers' demonstration and demands social awareness. I argue that, for Mann, dance serves predominantly as a solitary spiritual guide that celebrates the body and the carnal. In the pantomime, the main character, Prinz Narzissus, lives a decadent, self-absorbed existence, dancing ecstatically between three mirrors, but gives no regard to an impending mass of workers. ![]() The novel's protagonist, Andreas Magnus, desires to break away from his bourgeois home and embark on a " pious dance " in Berlin. This article first addresses Mann's experience of watching Weimar dance performances, which developed his idea of " erschütternde Anmut, " and explores its connection with his conceptualization of spiritu-ality. His novel Der fromme Tanz (1925) and the dance-pantomime libretto Die zerbrochenen Spiegel (1926) deal specifically with this movement medium. ![]() Alexander Der fromme Tanz Alle Erzhlungen Kind dieser Zeit Der Wendepunkt. ![]()
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